Ariel Schlichter is a composer, arranger, producer and mixing / mastering engineer. He graduated from the Universidad Nacional de Quilmes in 2013 as a Licentiate in Composition with Electro-Acoustic Media. Since then he has worked composing music for documentaries, short films, installations and videogames, including original music and orchestration for the play 'El Resto de Nosotros' by the Argentine National Contemporary Dance Company; and the original score for 'Enchant', a Christmas theme park in Vancouver.
He has also produced, mixed and mastered more than 700 releases from the music scene in Buenos Aires (Argentina), which include bands such as 'Atrás Hay Truenos', 'Shaman y Los Pilares de La Creación', 'Rosario Blefari', among many others.
- In 2015, his original soundtrack for the documentary 'Jardín de Sueños' was nominated for 'Best Music in Film' at the Madrid International Film Festival.
- In Early 2018, he was selected as Argentina's representative to assist the 'Red Bull Music Academy' at Berlin which took place during September of that same year.
- In November 2018, he was a participant during five weeks of the Late Fall Musicians in Residence program at the Banff Centre for Arts & Creativity located in Banff, Alberta, Canada.
- In June 2021, he was a invited to be part of the Fleetstreet Residency program in Hamburg for a full month, collaborating with the group 'Lujo Asiatico' on the composition and production of their new album and collaborating with artists from the local scene in Hamburg for the documentary 'Feed The River' by Segundo Bercetche, with the aid of the Goethe Institut.
He relocated to Berlin in mid 2019, where he set up Keine Zukunft Studio with colleague and friend Matthias Anton. He currently works with artists from Germany, France, Spain, Ireland, United States, Brazil and Argentina not only on album productions but also on audio-visual installations, spatial performances and soundtracks.
2023 will see the release of 5 albums of his own: Decomposition Method & Tunnel Mountain under the moniker Chasys, Platitud & Imposible under the moniker Maqueta and En Bici De Noche under his own name.
He has also produced, mixed and mastered more than 700 releases from the music scene in Buenos Aires (Argentina), which include bands such as 'Atrás Hay Truenos', 'Shaman y Los Pilares de La Creación', 'Rosario Blefari', among many others.
- In 2015, his original soundtrack for the documentary 'Jardín de Sueños' was nominated for 'Best Music in Film' at the Madrid International Film Festival.
- In Early 2018, he was selected as Argentina's representative to assist the 'Red Bull Music Academy' at Berlin which took place during September of that same year.
- In November 2018, he was a participant during five weeks of the Late Fall Musicians in Residence program at the Banff Centre for Arts & Creativity located in Banff, Alberta, Canada.
- In June 2021, he was a invited to be part of the Fleetstreet Residency program in Hamburg for a full month, collaborating with the group 'Lujo Asiatico' on the composition and production of their new album and collaborating with artists from the local scene in Hamburg for the documentary 'Feed The River' by Segundo Bercetche, with the aid of the Goethe Institut.
He relocated to Berlin in mid 2019, where he set up Keine Zukunft Studio with colleague and friend Matthias Anton. He currently works with artists from Germany, France, Spain, Ireland, United States, Brazil and Argentina not only on album productions but also on audio-visual installations, spatial performances and soundtracks.
2023 will see the release of 5 albums of his own: Decomposition Method & Tunnel Mountain under the moniker Chasys, Platitud & Imposible under the moniker Maqueta and En Bici De Noche under his own name.
